Combating life dissatisfaction in young Black adults through immersive design.
PARSONS SCHOOL OF DESIGN
I have a Masters in Creative Technology. As my thesis, I built an immersive experience that effectively combats life dissatisfaction in young black adults.
Black youth are at high risk for life dissatisfaction, which is illustrated by disproportionately high suicide rates in the last 20 years (Price and Khubchandani, 2019).
Despite the severity of this issue, progress over the last two decades has been alarmingly stagnant.A
s a West African-French woman who battled depression from the age of 9, seeing these numbers (and the lack of initiative to effectively address it in those 20 years) hit, hard.
So as my thesis, I set out to design, build and test an accessible, inclusive, and culturally informed solution.
Therapy is broken – in more ways than one.
It’s also largely innacessible to Black folx.
Mental imagery, also called creative visualization, is the use of “all the senses to recreate or create an experience in the mind” (Cumming and Williams, 2014).
Inspired by its potential, I immersed myself in studies and applications of mental imagery to design a solution that could effectively address life dissatisfaction in Black youth.
I spent 2 months swimming in peer-reviewed studies on the mechanics of mental imagery (why and how it works). Then to inform my own ideation, I investigated real-life applications.
The researchers tested a compassion-inducing VR experience on depressive subjects. With the VR headset on, the participant would see themselves in a virtual body looking at their reflection in a mirror (image B on the left).
Because the virtual avatar mirrored the user’s posture, it created the illusion that the participant was now truly existing in this virtual world. Under this perception, the user would hear a virtual baby cry.
They’d be shown how to emote compassion towards it in order to soothe the child. The baby, comforted, would stop crying. Now is when it gets WILD.
The perspectives would be reversed, the user now embodying the baby’s body, and experiencing the exact words, voice and gestures of comfort they used themselves (image C & D).
The experience, around 8 minutes long, was repeated thrice a week for three weeks. A month after the experiment ended, the participants reported both a stark improvement in self-compassion, a decrease in unhelpful self criticism and a reduction of depressive symptoms (Bundrant, 2016).
My first concept guided the subject through mental imagery exercises in a VR environment.
My thesis advisor tore right through it.
Shifting gears, I expanded my approach to include mental imagery techniques from neuroscience, psychology, and spirituality.
I went back to the drawing board and cast a wider net, this time.
More generally, I was also assessing how my target audience responded to each, and which one(s) stood out and why.
Overwhelming “yes.” Seeing a photo to anchor their mental imagery in facilitated imagining a state that is different from their current reality, and resulted in a "feel good" experience. There was one caveat, however – photos only helped if they were similar to their own existing mental image of their goal (e.g. for a fitness goal, the photo would have to mirror the “ideal” body they had in mind).
Participants reported feeling gratitude for their current life andmotivation towards a potential future. They also felt like there was something to work towards – "I’m here now, but I could be somewhere else."
“Acting as if” is an exercise where you go about acting as if you already had the thing that you want. The theory behind it is that by removing the worry and stress around the goal and immersing yourself in the joy of having it already, you are putting what you want into the universe, surrounding it with good vibrations and that it will respond by manifesting your goal into your life. I transmuted this method into a social network in which everyone is acting as if they already had what they want, and would congratulate each other. Like a make-believe Instagram. I found it helped participants tune into a positive, encouraging stream of consciousness – but could also feel inauthentic.
This one had a unanimously strong positive response. Testers reported feeling good, hopeful. They felt their goal seemed more attainable. Many saw the act as writing out their goal, then sending it off into the universe as the first step towards getting it. It also enhanced positive expectancy (the expectation of a positive outcome), which has been shown to increase motivation to work towards one’s goal. One participant compared it to ordering at a restaurant where "you know it’s coming". They also felt that the prompt to look for “signs” in their day-to-day life helped anchor their goal being on their way to them in reality.
YES. The positive response for this one was also unanimous.Participants found it “very powerful and more empowering [than standard visualizing alone] because there's a physical space you can walk into and feel yourself in”. They found it very reflective and relaxing - “everything else disappears”. They also quickly assigned a mystical quality to the circle – e.g. they would pause, take a few deep breaths before entering it for the second time after the testing session ended. One of them shared that he felt “butterflies”because he was about to meet his higher self. Again, they found the physical contrast between their current reality and their vision motivating.
Movement didn’t seem to have any impact on my testers. Maybe the physical and visualization exercises I used weren’t a good fit. However, because of the success the Circle of Excellence had regardless, I focused on that first.
Participants found the combination of my chosen visuals and binaural beats "very relaxing" while taking a few deep breaths before visualizing. Binaural beats are sound frequencies that have the power to put out brain in specific states – including focus or deep relaxation.
Coming out of this first round of testing – three things were clear.
With these insights, I was ready to build my first prototype: an immersive, multi-sensory experience.
It went like this.
I had just paired the mat and the lighting, when the news hit: Covid lockdown was upon us, and the school was closing indefinitely.
I’m not going to lie, it hit me pretty hard at first. I didn’t know what to do with myself, nor with the project I had poured 8 months of research and belief into.
After three weeks in bed with Covid, existential questions, and general dizziness from how Mad Max coded “regular life” now was, I hopped back on the thesis horse.
I hard-rebooted, e-mailed back my thesis advisors, and entered “ok, where do we go from here?”-mode.
I dropped the in-person experience and pivoted towards: 1) building an online-only version of it, and 2) testing it remotely.
Which leads me to Online Version 1.0: a three-day, six minutes daily routine to test as a pilot with three members of my audience.
The routine went like this:
Here’s what the data said.
With this second version, I was testing a different approach to compare to the first one.
During that call, I would introduce why I created Às̩e̩, help them identify the best time in the day for them to carry out the routine and ways to create a relaxing space to do the routine in. I also had them set up a daily reminder on their phone labelled “Take care of me”, and enquired about where they looked for photo-inspiration of the life they wanted to create. Finally, I’d walk them through the routine and answer any questions before sending them an updated PDF including the routine steps.
The routine went as follows:
After processing and analysis the data, results were in.
This was an interesting observation because of the nuance it carries: even when a participant experienced a dip in confidence around their future, they could simultaneously report feeling strongly positive emotions about it, such as excitement and inspiration. This is not an outcome I planned for, but I like that it provided a safe space for participants to confront things that could stand in the way of creating the life they aspire to. On the other hand, other participants who were already experiencing mild to acute anxiety in their lives described the routine as instrumental in helping ease it.
R., who had been anxious to the point of experiencing severe chest pains expressed “It was beneficial everyday but some
days were more drastic - it was medicinal.”
Another strong trend revolved around self-efficacy: as participants progressed through the five days, they would express less and less uncertainty about their ability to achieve their ideal life a year from now, and increasing confidence (to the point of feeling “extremely confident”) about the goals it implied.
Finally, as days progressed, not only did more participants start the routine already in a state of confidence, their level of confidence would also increase more than in early days by the end of the session. One participant commented “Expansion over contraction” in one of their last surveys, which made me wonder whether this rise in confidence could also stem from coming to terms with the magnitude of what they can achieve, versus what they allowed themselves to aim for in the past.
One of the video interviews confirmed that this was true for some - J. expressed that in the first few days, he noticed feelings of being an “imposter” when visualizing. He later stated: “This exercise made me break through these limitations I had on what I can achieve.”
Since its inception, this project has evolved so much, and it has “grown” me, too.
I flexed my accept-that-my-first-idea-isn’t-necessarily-going-to-be-The One-muscle (and get a little better at it) and I learned to trust that staying open, curious and following the signals I find along the way might be what leads me to a concept that feels right both to me and the people I design for.
I also experienced the thrill of feeling what you’re interested in, what you know about, and what you want to create in the world emerge as something you can invest in, build, watch evolve, and deeply connect with others on.